Isaac is not so sure about that, but is convinced when Tracy says the famous line: “You have to have a little faith in people.” She’s getting ready to leave for London on a scholarship, and when he realizes that it’s too late to convince her, Tracy comforts him by saying that when she comes back in six months, she would still love him. Gershwin’s famous “Rhapsody in Blue” carries the whole movie until the end. Isaac runs toward Tracy’s building, realizing that he had always loved her, while the wonderful soundtrack transports us into ancient Hollywood history. He prefers the pseudo-intellectual Mary, but it’s clear that he would rather be with Tracy if not for her age.Īt the end, Isaac’s attempts to seduce Mary get hampered by his best friend. Throughout the whole movie, Isaac treats Tracy like a child and is condescending toward her in an attempt to undermine their mutual affection. He doesn’t seem to be taking the relationship seriously, but Tracy has fallen in love with him. Allen plays Isaac, a chatty New Yorker who’s dating a 17-year-old named Tracy.
“Manhattan” is a mixture of many of his inspirations, including New York, which may be considered his biggest one. He also borrows often from the Hollywood golden era and classic foreign masterpieces, such as “Casablanca”, “8½”, “Citizen Kane” and “The Seventh Seal”.
His scripts are influenced by a number of literary authors, and most of his texts could be easily adapted into a play. They’re part of a dream life.”Īll Woody Allen films are dialogue driven. It’s an analysis you shouldn’t miss.īest lines: Andre: “Our minds are just focused on these goals and plans, which in themselves are not reality.” Wally: “Goals and plans are not… they’re fantasy. Their philosophical dissertations show some of the blatant issues Western society has to face, such as alienation, routine, self-deception, lack of empathy. The protagonist disagrees with Andre’s extremism about how the modern world is pointless, but he does appreciate the comforts that technology offers, whereas Andre prefers a more animalistic and natural state of being and savagely critiques the vices and problems of our contemporary civilization. Watching them talk for almost two hours nonstop is quite interesting. Andre seems to be into new age culture, and he and Wally are very dissimilar. Wally calmly listens as his friend enthusiastically describes what he has been doing all this time: being buried alive, making a weird play with no audience in a forest, adopting a Buddhist monk for a few weeks, joining a group of people who were trying to achieve a kind of enlightened extra-human state.
This movie consists of a single scene of dialogue, stretched for over two hours, in which the protagonist reunites with an old friend named Andre, who has been involved in an interesting series of activities in a search for real meaning in his life. If you decide to continue reading this amazing list, you’ll find the 20 best one-on-one verbal confrontations of recorded film history. In short, shenanigans are likely to ensue and at the very least, something important will be revealed that may change the course of the plot. Unlike the real world, two individuals having a conversation can’t just be a friendly encounter (unless you’re watching an indie, low budget or Richard Linklater film) tension has to be present, with plenty of drama and rage. However, in the movie world, when you see a dialogue-heavy scene coming, you know it’s about to go down. When two people gather in a room to talk things through like adults, what happens in mostly pretty standard if everything goes right, both individuals shake hands and go back to the world with a smile on their faces and one reason less to worry.